Archive of July 2007

Tremendous success for the opening of “Meta Design” exhibition on Second Life

Thursday 26 July 2007
Video thumbnail. Click to play

On Monday night we celebrated the opening, on Second Life, of the “Meta Design” exhibition, at the Monslab Gallery Porto Venere: an exclusive art show where one can admire and “virtually” buy DesignTaleStudio slabs.
We are extremely satisfied with the outcome of the event: almost thirty avatars visited our space and we indulged in pleasant conversations with many of them via our two “virtual representatives”, Monslab Writer and KeyraDesigner Beaumont. In particular, we would like to mention the encounters with LauraAnn Rossini, ZioBacco Oh, Gianfilippo Rossini, Paolo71 Dinzeo, Egisto Pera, Draikor Allen, Spilleben Mayo. Unfortunately, due to a technical problem, we were unable to show the promised video interviews, but we are confident to be able to do so soon. We have also created a DesignTaleStudio group within Second Life, that will allow us to keep in touch with all the avatars who showed an interest in DTS initiatives and works.

The trailer you see above is a brief glimpse showing the completed space, a video which we are currently distributing on the web. We would like to take the opportunity in this post also to publicly thank the Porto Venere community, who are hosting us and helping us considerably from a technical point of view: amongst many AnneMarie Perenti, Franckie Benelli, Sophia Barnes, Ariannas Slade, Sirk Voom, Burb Demina.

We have decided to keep on the exhibition open until September 9. Click here to be teleported there: http://slurl.com/secondlife/Curlew%20Waters/131/203/22

Fantastic! DesignTaleStudio on Second Life!

Monday 23 July 2007

Anteprima DesignTaleStudio alla Monslab Gallery

DesignTaleStudio lands on Second Life, the on-line community that is taking the world by storm and is hitting the headlines every day. On Monday, July 23 at 9.00 p.m. , our “Meta Design” exhibition will make its debut in the Monslab Gallery in Porto Venere, one of the most “Italian” places in Second Life.

The exhibition will present a selection of the DesignTaleStudio’s Pareti d’Autore, chosen from the ones in the catalogue and the prototypes designed by the most important artists, such as designers Elio Fiorucci, Karim Rashid and Michele De Lucchi.
“Touching” each slab with your avatar (your virtual Second Life personality) will open up a description of the object, with a link to the corresponding page on the DesignTaleStudio.com website.

The majority of the slabs will be on sale (virtually) so that visitors will be able to display some of the designs in their virtual home and islands. The price in Linden Dollars corresponds to the value in Euro and every week a different piece will be available to purchase at a greatly discounted promotional price. Finally, a streaming video on a plasma screen will show the designers (in Real Life) commenting on their works.

Second Life is a communication channel with enormous potential for architecture and design, many companies are joining it but Ceramiche Refin’s DesignTaleStudio is the first ceramics company to launch an initiative of this type, once again underlining the strong innovative drive of its staff.

We will therefore be waiting for you every Monday night at the Monslab Gallery in Porto Venere!
Here is the link that will bring you to “Meta Design” in the Monslab Gallery:
Curlew Waters (131, 203, 22)

The new luxury

Thursday 12 July 2007

I have endeavoured to re-elaborate on certain information and opinions that I put forward as ideas to reflect on the way which, today, we take for granted things that “we need” in our everyday lives.

In a world that, we can casually say, is changing very quickly, and in particular where globalization and the world wide web have effectively turned market forces upside-down, it sometimes seems that we lose the significance of the concept of “mass market”, while, increasingly, it is the individual or consumer who creates his own personal micro-market.

It is increasingly difficult to identify groups of consumers with homogenous tastes (the classic “target” often cited by marketing experts) while the “EGO”, so dear to those who are, or who pretend to be psychologists, is back on the scene and, are effectively merely individuals with their own creativity and their own tastes and who influence or inspire companies to create new products in every field.

Today, people seem less embarrassed (even proud) to show themselves as they really are, and they tend to steadfastly refuse (to only then strangely accept them… but this is another story) mass standardization and therefore, at the same time deny, in buying the object, the “ready-made” styles. Effectively, today people are less influenced when choosing, they are less embarrassed to mix different styles, they choose one brand today and then snub it tomorrow, they do not fall for trends but observe them, they collect only what they like and, more frequently than ever, they create.
One very interesting thing is the fact that, especially thanks to the ease in which information is “globally” gathered, that is not restricted by national boundaries but, not even taking into consideration other variables, individuals have an ever increasing consumer behaviour that transcends nationality, age, tradition and cultural constraints.

To keep “on track” with the theme of this site, I believe I can permit myself to say, also based on what I have read in the Press, that products and services which we consider “a luxury” today can be seen carrying different connotations in respect to the past, and that even items that were previously not labelled this way, can now be considered “a luxury”. In fact, today luxury can also be thought as:

  • No longer ostentatious or status symbol, but an object linked to the individual and therefore takes its value from the unique and intense experience of every person who lives the object (even if this is almost always based on socially shared values)
  • Emotion combined with innovation
  • Personalization, with objects that are (or appear to be) exclusively made for me

In this light, it can also be said that, at least for a few, the search for perfection pursued by progress is not important, but they give ever increasing importance to the value of nature, slow lifestyles, real “things” and, because of this, not perfect. Hand-crafted products are always different from one another, there is always a slight imperfection or defects which make them UNIQUE and absolutely irreproducible.

People, who today prefer to not hide their own “imperfections”, but who instead value their own complexities, are those who are perfectly mirroring this attitude even in the things they buy. Identifying oneself in what one buys also means the personalization of the object, refusing, as we have said, the standardization, the bias, the styles “dictated” by others, the status symbols and, in contrast, the desire to express and surround oneself with things that represent us, to share with others and be enriched by such a sharing of personal and different tastes and values.

Ginza Tanaka and the gold bikini

Thursday 12 July 2007

Il bikini d'oro di Tanaka

Repubblica.it today carried the news story, along with a video, on the latest extravaganza by famous Japanese jeweller Ginza Tanaka: a bikini made up entirely of 24 carat gold, worth an estimated 82 thousand dollars.

It is well know that Japan is the very centre of the luxury market: alone, it covers 40% of the segment. And Tanaka is not new to such acts of provocation, one only has to think back to his handbag made of platinum and encrusted with 2,182 diamonds (valued at 1.63 million dollars), or his Christmas tree of solid gold (21 kilos, valued at 850,000 dollars). In contrast to its predecessors, however, it is my opinion that the shock value of the object-bathing costume is based on at least 3 peculiar aspects.

Firstly, it is a garment whose primary use means it constantly exposed to the sun and to prolonged contact with water, therefore, intrinsically, it is likely to deteriorate and lose value. On top of this, the size of a bathing costume is also proportional to the size of the body that wears it: does then, when the dress size goes up, the price also go up? In fact, quiet apart from even the most expensive everyday fabrics, even the slightest extra amount of gold in the garment should lead to a significant increase in the production costs. Finally, seeing that fashion in the first half of 2007 is going through a “golden age”, we can see a certain amount of provocation in Tanaka’s idea, a provocation even directly aimed at the designers in fashion houses, as if to say: you refer to fabric and aesthetic effects as “gold”, while I am actually a “golden artist”, I have the right to actually use it in one of my projects, without the need of surrogate fabrics.

It is also no surprise that the gold bikini has set tongues wagging in the world of blogs, for example, in respect to its effective use potentials, and joking about what it would cost for a size to fit the larger woman; but amongst all this analysis, it is the morality that lies behind such an idea that raises the biggest question marks. However, for those who wish to make a splash on the beach in the summer of 2007… Ginza Tanaka’s on-line store is just a click away.

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